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・ Ludvig Frederik Brock
・ Ludvig G. Braathen
・ Ludvig Gade
・ Ludvig Glacier
・ Ludvig Grundtvig
・ Ludvig Harboe
・ Ludvig Hegner
・ Ludvig Hektoen
・ Ludvig Holberg
・ Ludvig Holm
・ Ludvig Holm-Olsen
・ Ludvig Holstein-Holsteinborg
・ Ludvig Holstein-Ledreborg
・ Ludvig Hope
・ Ludvig Hope Faye
Ludvig Irgens-Jensen
・ Ludvig Johan Bakkevig
・ Ludvig Johan Carl Manthey
・ Ludvig Kabell
・ Ludvig Karsten
・ Ludvig Knudsen
・ Ludvig Kornerup
・ Ludvig Kristensen Daa
・ Ludvig Larsen
・ Ludvig Larsen Kragtorp
・ Ludvig Lindberg
・ Ludvig Lindgren
・ Ludvig Lindström
・ Ludvig Lorenz
・ Ludvig Ludvigsen Daae


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Ludvig Irgens-Jensen : ウィキペディア英語版
Ludvig Irgens-Jensen
Paul Ludvig Irgens-Jensen (13 April 1894 – 11 April 1969) was a Norwegian twentieth-century composer.
Irgens-Jensen studied piano with Nils Larsen while a philology student at the University of Oslo. He began composing in 1920, and the radical nature of his work attracted some interest. Irgens-Jensen's oratorio ''Heimferd'' (for solo choir and orchestra) won first prize in a national competition, and is considered a national monument of sorts for Norway. The song ''Altar'' is one of his most familiar works.
During the Second World War, Irgens-Jensen composed several songs and orchestral works to patriotic texts; due to the restrictions imposed by the Nazis, these works had to be distributed anonymously and illegally. Irgens-Jensen is often characterized as a neo-Classical composer.
==Works==

*''Tema con variazioni'' (1925)
*''Passacaglia'' (1927)
*''Heimferd'' (1930)
*''Der Gott und die Bajadere'' (1932)
*''Pastorale religioso'' (1939)
*''Symphony in D minor'' (1942)
*''Canto d'omaggio'' (1950)
*''Japanischer Frühling'' (1957)
*''Air'' (1959)

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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